On Monday the sun shone so I cycled home slowly on quiet roads, tipping my face to the sky. The evening air was dry, a constant warmth broken only by the breeze. As I reached home, clouds gathered low and dark and the breeze strengthened to a wind – the sunshine was to be short lived. But the brevity of that half hour made it all the sweeter; its rarity investing it with more value, forcing me to pay closer attention, to remember it as clearly as possible.

When short is done well it is all-absorbing, its impact staying with you far longer than its own length might suggest. Short can be punchy and poetic, and the best should be celebrated – a shot of concentrated knowledge, atmosphere, feeling, understanding…


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by TOAST ( 04.05.12 )

The lengthening evenings and prospect of a long Easter weekend leave us unable to think of much else at present than getting out of town and out of doors. There is something about the changing of the clocks, the moving so consciously from one season to another, that re-focuses attention on the world around us. It’s as though the new, expanding light gently makes us aware again of our place in the larger world, shows us what we’ve been doing that is unnecessary and reminds us that the best work is that done with modesty, without distraction and with singular intention. While we re-orient ourselves in this way, here are some other people and things whose simplicity of focus we admire…


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by TOAST ( 02.04.12 )

On Radio 4′s Front Row earlier this week Andrew Stanton, the film-maker behind Toy Story, Finding Nemo and other such Pixar wonders, was asked by Mark Lawson whether the opening scene of WALL-E was too bleak and frightening for a film aimed at younger children. Lawson had barely finished his question before Stanton shot him down for making the ‘fundamentally wrong’ assumption that his films were made with any particular demographic group in mind. Why would that even be necessary? He continued ‘I never thought the Beatles were trying to guess my demographic, I never thought Picasso was trying to test who the audience might be…’ After several minutes in this vein, it was clear: Andrew Stanton’s only priority is to make films that he believes are good, regardless of what others might think. He has absolute faith that if they are good enough, the rest will follow.

This is refreshing. The world is all too full of research into “customer bases”, focus groups, talk of target demographics. So much better to allow the creative imagination its freedom, link that flight to a drive to produce something really good – and trust that quality will find its own constituency (or, if you must, market). In a world full of commercial pressure and seemingly set (and unimaginative) paths to success it’s so easy to deviate from such single-minded purpose. There’s a sort of gravity, as enterprises find success and expand, that pulls creativity towards mediocrity, risk towards security. This must be resisted!

Here are some good things around at the moment from artists who follow their hearts – or their art – rather than the dollar…


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by TOAST ( 09.03.12 )

Or at least of those things, jaded and happy on the 22nd December, that we could remember…

A is for avaaz – giving the good people, the millions of ordinary people, a real voice. A great thing. www.avaaz.org

B is for Barry the Barber – a Geordie in Spitalfields via New York, great haircuts & beard trimming, good chat, good vibes. www.barrythebarber.com

C is for Christmas, still wonderful, longed for, magic, restful and festive in the right measure…


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by TOAST ( 22.12.11 )

we plan to…

Hans Holbein the Younger, Derich Born, 1533

…visit Holyroodhouse to see the exhibition of Northern Renaissance: Dürer to Holbein. Over 100 paintings, prints, drawings, sculptures, miniatures and manuscripts have been gathered together from The Royal Collection – including works by Dürer, Massays, Memling, Cranach the Elder and Holbein the Younger – to give a great insight into Northern Europe’s 15th and 16th revolution in art, scholarship and religion…


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by TOAST ( 30.08.11 )

We are excited, very excited…

about the news that Jarvis Cocker will be working with Faber & Faber to publish a collection of his lyrics, due out in October this year…


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by TOAST ( 30.06.11 )

…at least in what is left of it, we hope to: Wonder at Gaugin’s use of colour at Tate Modern…


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by TOAST ( 19.10.10 )

…we loved…

The Family and the Land. Sally Mann.
At the Photographer’s Gallery, London until 19th September. See it there before the gallery closes for refurbishment this autumn…


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by TOAST ( 06.09.10 )
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