We are delighted that Tony Donoghue’s quietly moving Irish Folk Furniture has won the Best Animation prize at Sundance 2013. The film captures the relationship between a community and its furniture and follows 16 traditional pieces of folk furniture – often associated with poverty and hard times –  as they are restored and returned to their homes.

There’s a good, brief interview with Tony on anothermag.com

The film will be available to watch on YouTube until the end of the festival on 27th January 2013.


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by TOAST ( 23.01.13 )

The second of four short Christmas stories written and read by author and poet Michael Smith, filmed by Nick Seaton. Watch the stories – as they are released – here or download them as podcasts from iTunes or read them below

The bitter cold had started digging its heels in, and London seemed lonelier, harsher this winter… I remember one night me and D walking for miles around Mayfair and St James’, hands clasped tight into our pockets, pockets of coats too thin for the cold spell that had come, frozen to the marrow, looking into the windows of oyster bars and shops that sold thousand pound grouse hunting jackets and silver shoehorns, trying to guess which tramps would freeze to death on the sparkling frosty pavement before the dawn was up…


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by TOAST ( 05.12.12 )

The first of four short Christmas stories written and read by author and poet Michael Smith, filmed by Nick Seaton. Watch the stories – as they are released – here or download them as podcasts from iTunes or read them below. 

It was during a washed-out trip to France… Sunday was wet and stormy, and as a last resort we drove off to Lourdes, first glimpsed from a distance as a big dramatic biblical mountain half shrouded in mist, the kind a little child might think God lived on, and Moses might come down from all fiery-eyed with a contract on two tablets…

The outskirts of Lourdes were as sad and tacky as you might expect, all cheap hotels and fake Irish pubs, wall-to-wall holy pizza and souvenir shops full of Marys with neon halos, a kind of Blackpool or Las Vegas of Catholicism that was utterly phoney and intriguing… I liked it, but for all the wrong reasons…


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by TOAST ( 27.11.12 )

On Monday the sun shone so I cycled home slowly on quiet roads, tipping my face to the sky. The evening air was dry, a constant warmth broken only by the breeze. As I reached home, clouds gathered low and dark and the breeze strengthened to a wind – the sunshine was to be short lived. But the brevity of that half hour made it all the sweeter; its rarity investing it with more value, forcing me to pay closer attention, to remember it as clearly as possible.

When short is done well it is all-absorbing, its impact staying with you far longer than its own length might suggest. Short can be punchy and poetic, and the best should be celebrated – a shot of concentrated knowledge, atmosphere, feeling, understanding…


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by TOAST ( 04.05.12 )

The lengthening evenings and prospect of a long Easter weekend leave us unable to think of much else at present than getting out of town and out of doors. There is something about the changing of the clocks, the moving so consciously from one season to another, that re-focuses attention on the world around us. It’s as though the new, expanding light gently makes us aware again of our place in the larger world, shows us what we’ve been doing that is unnecessary and reminds us that the best work is that done with modesty, without distraction and with singular intention. While we re-orient ourselves in this way, here are some other people and things whose simplicity of focus we admire…


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by TOAST ( 02.04.12 )

On Radio 4′s Front Row earlier this week Andrew Stanton, the film-maker behind Toy Story, Finding Nemo and other such Pixar wonders, was asked by Mark Lawson whether the opening scene of WALL-E was too bleak and frightening for a film aimed at younger children. Lawson had barely finished his question before Stanton shot him down for making the ‘fundamentally wrong’ assumption that his films were made with any particular demographic group in mind. Why would that even be necessary? He continued ‘I never thought the Beatles were trying to guess my demographic, I never thought Picasso was trying to test who the audience might be…’ After several minutes in this vein, it was clear: Andrew Stanton’s only priority is to make films that he believes are good, regardless of what others might think. He has absolute faith that if they are good enough, the rest will follow.

This is refreshing. The world is all too full of research into “customer bases”, focus groups, talk of target demographics. So much better to allow the creative imagination its freedom, link that flight to a drive to produce something really good – and trust that quality will find its own constituency (or, if you must, market). In a world full of commercial pressure and seemingly set (and unimaginative) paths to success it’s so easy to deviate from such single-minded purpose. There’s a sort of gravity, as enterprises find success and expand, that pulls creativity towards mediocrity, risk towards security. This must be resisted!

Here are some good things around at the moment from artists who follow their hearts – or their art – rather than the dollar…


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by TOAST ( 09.03.12 )

Bombay Beach is a film set apart. Where most documentaries show us events as they really happened, give us facts and carefully sign-posted opinion, Bombay Beach weaves fact with imagination, pure observation with choreographed dance, reality with dreams. And in doing so finds a truth much greater than simple fact…


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by TOAST ( 09.02.12 )

Or at least of those things, jaded and happy on the 22nd December, that we could remember…

A is for avaaz – giving the good people, the millions of ordinary people, a real voice. A great thing. www.avaaz.org

B is for Barry the Barber – a Geordie in Spitalfields via New York, great haircuts & beard trimming, good chat, good vibes. www.barrythebarber.com

C is for Christmas, still wonderful, longed for, magic, restful and festive in the right measure…


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by TOAST ( 22.12.11 )

The film we watched and reviewed way back in September last year finally goes on general release today…


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by TOAST ( 20.05.11 )

Home-made Spacecraft from Luke Geissbuhler on Vimeo.
A home-made journey into space. Courtesy of Brooklynite father, Luke Geissbuhler, and his seven-year-old son, Max. The rest is best left to them…


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by TOAST ( 05.11.10 )
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